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Talking Box

Attach the Talking Box tube close to your microphone and the other end into the adapter on Talking Box. Shape your mouth like you would talk without using your voice. The instrument provide the sound. Make sure your Talking Box is located always between your amp and speaker cabinet. To get the best result stay as close as possible to the microphone. For bypass mode press foot switch button again.

Our Talking Box features special protection againist higher voltage from your amp. We use Neodymium or Titanium 1" driver.

Weight: 2,25 kg
Dimensions in mm: 145 (W) 150 (D) 105 (H) adapter


Incredibly smooth to use, the GD010 utilises optical control to eliminate all noise and interference whilst giving crystal clear continuous volume adjustment in stereo.The GD010 is suitable for all musical instruments.


A mono version of the GD010, featuring all the great
specifications of this pedal. Because the pedal is actively controlled it can be used in-line with mixers, tape recorders, effects loops etc.


The GD25 has two distinct modes of operation: „PAN Mode“ (LED extinguished), the pedal works as a stereo volume pedal. By pushing your foot forward, the signal pans left, whilst pulling the pedal back pans the signal to the right, returning the pedal to the centre gives you an equal left and right signal. „SWITCH Mode“ (LED illuminated), the pedal works as a Swell pedal. Push your foot down and the volume increases, pull it back and the volume decreases. In all of the operating modes, you have the facility to set the levels of the left and right volumes using the Left and Right Level, giving you studio quality, noiseless performance.

Controls: Mode, Left Level, Right Level, Minimum Volume, Volume and Panorama Volume.


Based on the superb Jimi Hendrix Wah-Wah sound, the GD 30, with its „90s“ build and component quality offers much, much more. With exceptionally pronounced Wah-Wah effects which can also be switched to bypass mode the GD30 is ideal for today’s musical styles.


The George Dennis Wah-Overdrive pedal works as either a Wah-Wah pedal, and as an Overdrive pedal. In the Wah-Wah mode, the pedal works by applying a high-gain bandpass filter to the signal, the resonant frequency of the filter being controlled by the position of the pedal. Rocking the pedal back and forth produces the distinctive Wah-Wah effect. In the overdrive mode, the color of overdrive is now controlled by the position of the pedal.

Controls: overdrive, volume, contour.


„One hell of a pedal“ - the GD60 combines three great effects pedals in one. Firstly the unmistakable Jimi Hendrix Wah-Wah sound as used in the GD30, secondly the smooth, clean noise-free volume and lastly dual frequency control allowing sculptured sound.

Controls: high/low frequency range, volume.


The GD40 is the second generation of the GD30 pedal, utilising the Hendrix Wah-Wah sound with the addition of dual Frequency switching allowing you to sculpture the sound around your tastes and instrument. Unlike other Wah pedals, the George Dennis Wah-Wah has an extra
wide frequency range to accomodate both guitar and bass.

Controls: high/low frequency range.

Wah Switch + Hi Position
Wah Switch + Lo Position


This is the standard application of GD30 Wah-Wah with the advantage that each musician can choose the controls. It is possible to select the bandwidth and overtune in.

Controls: quality, frequency, level, volume, minimum volume.

Parametric Wah-Volume


George Dennis Delay-Reverb pedal has been developed for crystal clear and studio quality sound. The unit has no noise and no hum. When the pedal is used in the mono mode, there is up to 2 seconds of delay available. When used in the stereo mode, there is up to 2 x 1 second of delay available.
The pedal has a factory designed IC (integrated circuit) which will
transfer the sound 1 : 1 without any change so that the instrument does not loose it’s original sound.
The battery strength is indicated by an LED Diode. When the diode starts blinking, the battery needs to be changed.

Controls: Depth, Feedback, Fine time, Mode, Hold, Stereo volume.
Option: We recomend using a George Dennis stabilized AC adaptor. You can also use other stabilized AC adaptors 9VDC, 150mA with the correct polarity. The unit is protected if you use the wrong polarity power supply.


The George Dennis Tube works on a totally different system than has been used so far by other manufactures.
The tube give the original sound for your instrument by fully using the 12AX7/7025 tube. You will find many beautiful sounds starting with the CRUNCH all the way to a warm Tube Distortion. The correct use of the controls gives you and unlimited number of sounds so you can match the sound with your needs.
Be sure to use an AC Power Supply, 9VDC with a minimum of 150mA with the correct polarity.

Controls: Equalizers LO, MID, HI, Efect Level, Drive, Effect Mode, Volume.
To increase the life of the tube and power suply, it is recommended to follow the folowing procedure: plug the power supply into the wall and into the pedal. Wait for the LED light to start flashing (about 15 seconds) before plugging in the guitar. Although it is not mandatory that you do this, following this procedure each time will substantually increase the life of the tube and power supply.
George Dennis recomends a stabilized Power Supply. The unit is protected if you use the wrong polarity supply.


Experience the classic tremolo sound of the „60s“ (without the noise) with this optically controlled tremolo - volume pedal.

Controls: depth, rate, symmetry, volume, minimum volume.


An alternative to our original GD tremolo which is switched into stereo. Using this pedal, you can control the Depth range from the set value (with the ball of the foot) to the zero value (with the heel).

Controls: rate, symmetry, depth, volume, minimum volume

GD 90

The George Dennis Stereo-Chorus-Flanger-Volume pedal works as either a Stereo Volume pedal, or as a stereo Chorus/ Flanger pedal. In the Volume pedal mode, pushing the pedal forward gives full volume, and
pulling the pedal back gives minimum volume. Switching to the effects mode allows the pedal to control the modulation rate. By setting the feedback control to zero, a chorus effect is added to the signal, increasing the feedback changes this to a Flange effect, both of which are in stereo.

Controls: rate, depth, feedback, volume, minimum volume.


The classic „70s“ phasing effect has just come right up to date. Modern technology gives this pedal low noise and crystal clear effects. This unit is stereo.

Controls: depth, feedback, rate, volume, minimum volume.

GD 110

The Wizard Blues pedal is designed with the Blues guitarist in mind, offering a switchable combination of distortion effects with a bigger bottom end and volume control. All running through a noise free optical
control for a smoother effect.

Controls: distortion, frequency, level, volume.

GD 100

Specifically designed for the Rock guitar player, the GD100 offers a switchable combination of distortion effects (including metal distortion) and volume control. All this with noise free optical control for smooth effects changes.

Controls: distortion, frequency, level, volume